Cycles of Life: The Four Seasons Tapestries | by Cleveland Museum of Art | CMA Thinker
Robin Hanson, Conservator of Textiles and Sarah Scaturro, Eric and Jane Nord Chief ConservatorDetermine 1: Three of the four seasons...
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Component Parts of Collections Management: Who’s Who? | by Cleveland Museum of Art | CMA Thinker | Oct, 2022
By Sydney Slacas, Assistant RegistrarWhen you visit the Cleveland Museum of Artwork, have you ever thought about who cares for...
Exploring Cotton by Kara Walker beyond a simple glance. | by Cleveland Museum of Art | CMA Thinker | Aug, 2022
By Michelle Orioha, CMA Student GuideThe CMA Student Guide Program is the museum’s undergraduate training program. Students learn close-looking and...
Artists’ Collections in the Archives: Digitizing Cleveland’s Artistic History | by Cleveland Museum of Art | CMA Thinker | Sep, 2022
By Sara Kunkemueller, Digitization Intern, Ingalls Library and Museum ArchivesThis summer, I joined the Ingalls Library and Museum Archives as...
Small but Mighty: Nano-Cellulose Applications in Photograph Conservation | by Cleveland Museum of Art | CMA Thinker | Sep, 2022
By Marissa MaynardThe Cleveland Museum of Art’s (CMA) superb photography collection encompasses the history of the medium and offers a...
Beyond the Wall Text: Contextualizing Carpeaux’s Why Born Enslaved! | by Cleveland Museum of Art | CMA Thinker | Sep, 2022
By Key Jo Lee, associate curator of American artSome of the reasons why curators place certain objects in certain places...
